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Frankenstein: The Mad Science of Dick Briefer, by Dick Briefer
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It's alive! It's alive! Not exactly what Mary Shelley had in mind, Frankenstein: The Mad Science of Dick Briefer reanimates the most unusual Frankenstein take of all. What began as a horror feature in 1940s Prize Comics morphed after World War II into a comedic tale of a Frankenstein "who, like Fernando the Bull, would rather pluck flowers than pluck off people's heads." Briefer's Frankenstein mixes screwball comedy with canny observation of postwar America into a creation that would shock the original monster senseless!
- Sales Rank: #1507613 in Books
- Brand: Briefer, Dick/ Briefer, Dick (ILT)
- Published on: 2015-06-09
- Released on: 2015-06-09
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 1.25" w x 6.91" l, .0 pounds
- Binding: Hardcover
- 312 pages
About the Author
Richard "Dick" Briefer was an American comic-book artist best known for his various adaptations, including humorous ones, of the Frankenstein monster. Under the pseudonym Dick Hamilton, he also created the superhero team the Target and the Targeteers for Novelty Press. Dick Briefer studied at the Art Students League in Manhattan and debuted in comic books in 1936. In December of 1940 Prize Comics #7 first published Briefer's eight-page feature "New Adventures of Frankenstein", an updated version of the much-adapted Frankenstein monster created by Mary Shelley in her 1818 novel Frankenstein. The author lives in Hollywood, Florida.
Most helpful customer reviews
7 of 7 people found the following review helpful.
The Evolution Of A Classic Comic Book
By David Burd
It's been said before that Yoe Books has set the standard for deluxe reprints of vintage comic books, but it bears repeating. In Dick Briefer's Frankenstein all the Yoe trademarks are there: excellent reproduction from the original printed pages, high-quality paper and deluxe hardcover binding, and a beautifully designed package. As usual, there's a nice historical essay, this time comprising 16 pages of facts and observations about the comic book and its creator with lots of impossibly rare art. In addition, there's a nifty die-cut cover that lets the monsters eyes show through and gives a nice surprise when you open it. I don't see how it could have been done better.
The comics themselves are particularly fascinating because they show the evolution of the character from story to story, year to year. Starting in 1940 when the American comic book was still in its infancy, the earliest story is a crudely drawn, fairly straight retelling of the Mary Shelley tale. By 1941 the art has improved markedly, but it's still in the gothic horror genre. The next one is drawn a little differently yet. Briefer's style changes with virtually every story. It's as if he was trying not to use the same style twice!
By 1945 the comic undergoes a complete metamorphosis, changing from straight horror to comedy-horror. At this point the character of Frankenstein's monster has more in common with Herman Munster than with the comics from just a couple years earlier. Briefer uses a much looser line and the stories are charming and silly. In 1952's story we see another transformation back to horror, but this time with carefully rendered scenes of violence and mayhem as was the trend in the 1950s. Watching the evolution of Dick Briefer's Frankenstein between these covers is a microcosm of the history of comics, from the Golden Age into the era of pre-code horror and crime comics that almost ended the industry. (If the series had continued into the Sixties I can imagine the Frankenstein monster in a mask and a cape.)
If you like comics, horror, Frankenstein, or all of the above, this book is highly recommended.
1 of 1 people found the following review helpful.
Various Collections highlight different aspects of Briefer's various takes on the Monster
By Matthew Higgins
Amazon has the various collections of Briefer's Frankenstein work listed as different editions of the same book but they are not and each is a very different collection. Indeed one can not review each collection separately due to this mix-up. So below are to be found details on each one.
IDW's The Chilling Archive of Horror Comics: Dick Briefer's Frankenstein gives the best overview Briefer's humorous and horrific takes on the Monster, with selections of both. All selections are in color printed on flat comic paper; it is like reading something from the spinner rack at the local 5 & 10. Features: Amply-illustrated multi-page introduction by Craig Yoe. (Each volume of The Chilling Archive of Horror Comics is top-notch and is highly recommended.)
Dark Horse's Frankenstein: The Mad Science of Dick Briefer is a collection of the complete first seven issues Briefer's humorous take on the Monster. All stories are in color printed on flat paper but not comic paper; it is like reading a well done trade paperback. Features: One-page forward by John Arcudi. (This is a very nice collection and is recommended. It is interesting to note that Craig Yoe, the driving force behind IDW's The Chilling Archive of Horror Comics, is given a special thanks in this collection and thus to this reader that shows that this has some of the "B sides" of Briefer's humorous Monster work that Yoe could not fit in the IDW collection.)
Idea Man Production's The Monster of Frankenstein: Dick Breifer's 1950s Horror Comic Epic is a collection of Briefer's 1949-1952 all-horror take on the Monster. All stories are printed in black and white. Features: Three-page introduction by David Jacobs and Afterwords by E.J. Robinson and Alicia Jo Rabins. (This is a great collection of Briefer's horrific take on the Monster. The black and white printing akin to something from an old Warren Creepy and does not take away from the stories. But, after seeing the color reprints in the other two collections, it is a bit of a let down. It is a soft cover too which, again, when compared to the other hard cover collections, it is a bit of a let down.)
Each of the three books has its pros and cons. In an absolutely perfect world, IDW's The Chilling Archive of Horror Comics would have devoted two volumes on Briefer's Frankenstein, one volume dedicated to the humorous like Dark Horse's but with a longer Yoe illustrated introduction on the humorous and one volume dedicated to the horrific like Idea Man Productions but with a longer Yoe illustrated introduction on the horrific. The world not being perfect a reader can choose scholarly, strictly humor, strictly horror, or, like this reader, splurge on all three.
4 of 4 people found the following review helpful.
REVIEWS HERE REFER TO WRONG BOOK! (as of 23 Jun 2015)
By "Overdue North"
The reviews here DO NOT REFER TO THE BOOK IN QUESTION! They are reviews of this very collection: http://www.amazon.com/Briefers-Frankenstein-Library-Horror-Comics/dp/1600107222/ref=cm_cr_pr_product_top?ie=UTF8
The dark Horse collection is much longer than the Craig Yoe collection, and contains only the humorous Frankenstein stories (it collects all of Frankenstein issues 1-6 from 1945-1946).
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